Avantone Pro, in conjunction with the expertise of legendary mixer Chris Lorde Alge, have designed the most faithful reproduction of the world’s most iconic studio monitor. Now everyone can mix on the monitors that define “the hitmaker sound”. A tremendous amount of design work and exacting detail have finally made the “white cone” monitors available to everyone! And now the world has finally gotten what it always asked for — an active-powered version: the CLA-10A!
Since the “white cone” studio monitor was discontinued, the supply of aftermarket components have become more and more expensive and less and less available. Avantone Pro has created a near exact recreation of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with modern environmental requirements.
The AV10-MHF tweeter dome went through a difficult engineering process to get the exact phenolic resin doping to match the original performance curve. The AV10-MLF woofer uses custom tooled mechanical parts that mirror the original. We worked closely with one of the original vendors of the original cone to get the exact same stiffness and weight. The only difference from the original is that we use a pressed cone as opposed to a lapped. This allows for tighter matching in every cone we build — meaning this is the first time matched pairs have been available!
Both replacement drivers are physically and dimensionally exactly the same as the originals and are “bolt in” hassle-free installation.
One of the most common questions asked about the CLA-10A’s is which version of the originals are they based on, and the answer is: all of them! The CLA-10A’s have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate any thing from the Vertical “m” model to the horizontal “Studio” model and everything in between. No more debate over the best tissue paper to use — VTPC has you covered!
Avantone Pro decided to stay traditional with a linear power supply implementing a massive old school toroidal transformer in order to maintain the legacy sound. The CLA-10A uses a a monolithic Class AB amplifier. At low power, THD is a phenomenal 0.005%; at rated load it is 0.1%, yielding excellent performance compared to class D amps. The system yields a rock solid 200WRMS.
We’ve worked tirelessly to bring this classic monitor system back to the world — but it took more than just recreating a single speaker. A tremendous amount of attention has been put into every detail: matching the original MDF and wood veneer for the cabinet, matching the original winding dimensions/value/dc resistance of the inductors, profiling the most popular amplifier pairings of the original, just to name a few things. All of this development has culminated into a slew of monitor solutions.
AV10 MXO: replacement crossover for original Yamaha™ NS10M™ studio monitors.
System Type: Active Full-Range Two-Way Stereo Pair
System Frequency Response: 60Hz-20,000Hz (Accessible Musical Range)
Components: Low Frequency: AV10-MLF 18Cm Cone, High Frequency: AV10-MHF 3.5Cm Soft Dome
Cabinet: 10.4 Liter Sealed Design, 18mm MDF With Real Wood Veneer
Cabinet Dimensions: 381.5mm X 215mm X197.5mm (15”X 8 ½”X 7- ¾ ”)
Weight: 8.2Kg / 18 Lbs (Each)
Shipping Weight: 18.5 Kg / 40.5 Lbs
Peak Musical Output: 110dB (Music Program Material)
Amplifier: 200W Class Ab Linear Supply
THD: 0.05% At 1Khz, 1W
Balanced Inputs: Combination XLR & Phone Jack
Unbalanced Input: RCA Phono Jack
Volume: +0dB, -120dB
VTPC: Variable Tissue Paper Control Fc 1.8Khz +6dB, -20dB.
Power: On/off Switch
Ground Lift Switch
Power: 115Vac/230Vac Selectable
Full Output: 250W